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Category Archives: Tips and Hints

when is HDR ok?


As with most photographers I leapt at HDR photography when it became fashionable. I was using it for a huge variety of play things. As a professional I now us HDR as a saviour when the conditions demand it.

At the last minute a client added a request to a job I was shooting. He required a series of images of a building they rent out for functions. Unfortunately this is a building usually surrounded by cars and humans, so I had a very small window of opportunity where the surrounding area was coned off. The optimum time for taking the images would be early or late in the day. Unfortunately this was not possible.

On arrival I found the day to be incredibly bright, with the sun coming from behind the building creating an extreme shadow in the area you see here. The clouds were very bright, which added to the difficulty.

The beauty of bracketing and using software (I use Photomatix) is that, if done correctly, you head back to the studio with enough information to create an image that will please the client. Of course it is incredibly easy to create hideous, over saturated and processed images. Whether you find the image above to your taste doesn’t really matter, and you will have your own feelings when processing HDR. I know it is representative of the building, and will suit the purpose the client requires it for. That is all that matters.

There are a myriad of comprehensive tutorials online for creating HDR images. But here a few of my personal critical tips to create decent HDR images. Check each of your bracketed images. Make sure each component of the images is saveable either in the highlights or shadows. If not use exposure compensation to allow for the extremes. Use Aperture priority! This was a massive mistake I made for a long time. You simply will not get sharp images if you do not. Take your image into the HDR software of your choice. Use mild settings that create an almost flat, bland image. Make sure you save a preset and use this for all of your images. The client will then receive consistency. Then make sure you adjust the image in PS or lightroom. I never use the final export from Photomatix. Generally there is some contrast and sharpening going on.

I will still deliver the non HDR image to the client. However this will have blown out skies. BUT you would be amazed how many people simply hate HDR images. So I try as hard as I can to keep it natural. But giving them both options is a great idea.

Fun Fun Fun!

Denis

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Challenge Accepted


Sometimes a painting needs to be replicated using photography. This painting was one of those. And upon arriving I could see immediate challenges.

I didnt have the opportunity to scope where the painting was hanging prior to the day. Arriving and seeing that there was good distance in front of the painting was a relief. There is a large window on the right which gave good natural light, but the light was uneven, which meant extra lighting was needed.

Angles are all important here. Reflections are caused by light reflecting at the wrong angle, straight back at the camera. As you can see here there is a rather substantial stairwell which made locating the second light a little tricky to achieve the right angle. In the end I had someone holding the light by hand hard to the right to give balance. This ensured the angle of both lights was similar giving a more even light spread.

You may see that the painting is VERY dark. I really wanted to get some texture, and also replicate the small amount of tonal variation between the cloak he is wearing and the black background, so the balance in exposure was critical. When I went slightly over the texture in paint was blowing out. I ended up using soft boxes to reduce the harshness. I got a nice balance for the final shots. The frame was very shiny, being gold, which was also helped by the soft boxes.

I used the 70-200 at about 135mm to reduce distortion as much as possible. In the end the was very little adjustment required.

I am really happy with how the final images ended up. Oh, and I got to see some pretty stunning paintings whilst there. This is a private residence with a beautiful collection.

Peace, Denis

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Being Prepared for the Unexpected


I turned up at at the University of Adelaide to shoot an amazing specimen box today. This was gong to be about a 2 hour shoot and one I had been looking forward to for some time. I love photographing old things with a bit of history.

When I arrived the client asked if I could shoot a few more items while I was there. There ended up being 10 items in total, all of varying sizes, one a 1metre wide fossil!. I certainly had not prepared for these. I had a good look around and found some paper and boxes to rig up a little seamless setup which worked great.

I had parked quite a distance from the university, but had taken a full lighting setup with me “just in case”. What started out as a quick easy shoot became a pretty elaborate one that required tricky lighting and positioning. The results were fantastic, and the client will be receiving a great set of images with no hassle because I was prepared and made do with what I had at hand to pull it off.

So what are these items here? These are crampons used by Sir Douglas Mawson. What a buzz to handle and photograph these pieces. What an amazing man Mawson was, and I felt honoured to be responsible for recording some of his items today.

Peace, Denis

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Chosen

This image “Chosen” has been selected as an entry into a photography competition by my camera club (yes I belong to camera club, which I am going to be writing about soon) I belong to.

I am best known for my “light painting” images such as the Ball of Light. Light painting is all about manipulating light into managed and then controlled images. Spending hundreds of hours seeing light and controlling it has given me the ability to work in generaly low light conditions.

The only light in this image was from the surrounding flames. It was a very dark, and quite an emotional experience where I had absolutely zero control over either the light or the subjects.

For me personally what makes a great image is one that can deliver an emotional response to the viewer. This is not just from the subject, or the event but can be delivered through the beautiful capture of the light.

I seek out low light opportunities in my “normal” photography because I feel light painting has taught me how to see the light in these environments.

I love this image and feel proud that other do to.

Peace, Denis

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Ball of Light – Simple Lighting Setup

When travelling light away on a road trip, and especially overseas as I was here, lugging heaps of lights can be difficult.

This palace was completely unlit at night (this was at about 11pm). The moon was behind cloud that gave a stunning soft light which was awesome for most of the night. But I wanted to get some nice shots with the palace well illuminated.

The only LED lighting I took with me were tiny Ikea drawer lights. These are extremely light and as you can see here pack a punch. I only used 6 in total to light this scene. Remember that the slightest light will illuminate a huge amount under long exposure.

Incredible to think that lights I could carry in my pocket could do this to such a big building.

Peace, Denis

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